![]() The Little again hosted Broadway productions from 1963 to 1965, when it became a Westinghouse studio, taping shows such as the Merv Griffin Show. The theater became an ABC broadcasting studio in 1951. The New York Times bought the theater in 1931 with plans to raze it, but the Little continued hosting plays until 1941, when it was converted into a conference hall. Ames leased the theater to Oliver Morosco in 1919 and to John Golden in 1922. There are other spaces throughout the theater, including lounges.Īmes had intended for the Little Theatre to host new plays, but its unprofitability led him to expand the theater within a decade of its opening. The auditorium is decorated with ornamental plasterwork, with Adam-style design elements it has a sloped orchestra level, one balcony level, and a flat ceiling. The main entrance connects to a box-office lobby, as well as a foyer with a vaulted ceiling and staircases. The main entrance is through an arch on the eastern portion of the ground-floor the rest of the ground floor is taken up by emergency exits, shielded by marquee. The facade and parts of the theater's interior are New York City landmarks. The theater has served as a legitimate playhouse, a conference hall, and a broadcasting studio throughout its history. Krapp added a balcony to expand the Little Theatre. The original single-level, 299-seat configuration was modified in 1920, when Herbert J. ![]() The theater was constructed in 1912 for impresario Winthrop Ames and designed by Ingalls & Hoffman in a neo-Georgian style. It is the smallest Broadway theater, with 597 seats across two levels. Named for actress Helen Hayes, the venue is operated by Second Stage Theater. The Hayes Theater (formerly the Little Theatre, New York Times Hall, Winthrop Ames Theatre, and Helen Hayes Theatre) is a Broadway theater at 240 West 44th Street in the Theater District of Midtown Manhattan in New York City. La Egoista explores the bond between sisters, the cost of caregiving, and the hilariously fine line between selfish and selfless.Lobby (foyer and emergency-exit space), auditorium interior When an illness upends Betsaida’s life and Josefina becomes her caregiver, they’re thrown together to rediscover all the history and humor, friction and affection that still fuel their relationship. Her religious younger sister Betsaida, on the other hand, takes everything seriously. “Josefina is a rising stand-up comic, an irreverent spirit who takes nothing seriously. Written by Erlina Ortiz, directed by Amelia Acosta Powell This intimate concert is an invitation to join The Bengsons in celebrating the choice to live joyfully in the face of so many unanswerable questions.” WEDNESDAY, FEB. Ohio traces Shaun’s journey growing up in the church, discovering his voice through music, and experiencing the hearing loss passed down through generations in his family. “Indie-folk duo Abigail and Shaun Bengson ( The Keep Going Song, Where the Mountain Meets the Sea ) return to Actors Theatre to develop this story about losing and finding faith, movingly told through song. 18-23Ĭreated and performed by The Bengsons, directed by Anne Kauffman and Caitlin Sullivan Here are the shows on the upcoming lineup: WEDNESDAY, JAN. Last week, Actors Theatre announced its three upcoming shows for the upcoming winter/spring season - and all three productions will be in-person.
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